If you “stack” these intervals (or their inversions):  m2, M2, m3, M3, P4, how m

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If you “stack” these intervals (or their inversions):  m2, M2, m3, M3, P4, how m

If you “stack” these intervals (or their inversions):  m2, M2, m3, M3, P4, how many different notes (in terms of letter names) do you have before returning to the starting pitch?  How many different notes occur if you “stack” a TRITONE?
Listen to a scrambled order of both the Ascending and Descending intervals built above the TONIC in MAJOR.  Notate each interval as instructed in the lecture.
Listen to a scrambled order of the four types of TRIADS, arpeggiated off of different ROOTS.  Notate each in ROOT position.
Notate the performed rhythm in Common Time, four measures.  Use one line for noteheads on the staff in “percussion clef”
Notate the performed rhythm in 12/8 meter.  Use one line for noteheads in “percussion clef”
In grand staff, notate the first Seven Harmonics (Partials) in the Harmonic Overtone Series, and identify the interval between adjacent intervals.  What type of Seventh Chord is contained within the Harmonic Series?
Do a search on-line for a definition of “The Circle of Fifths.”  Write your own definition (one or two paragraphs).

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